At this length it doesnвЂ™t wear out its welcome with the listener, and result in their attention starting to wander.Д®dit #2 вЂ“ Chorus 2 (Sectional time remains the same)

The intro was cut down from an exceptionally long 0:32 to a much more engaging and digestible 0:16, which is just 0:05 longer than the 0:11 top 10 Pop song average. Notice that the first 7 sections of the radio edit (intro вЂ“ verse 1 вЂ“ pre-chorus 1 вЂ“ chorus вЂ“ IB/Turn вЂ“ Verse 2 вЂ“ pre-chorus 2) were left as is EXCEPT for the intro.Д®dit #1 вЂ“ The Intro (Removes 0:16 from the song) *In Line With The Non-Edit Version вЂ“ Verse 1 through Pre-Chorus 2 Certain sections were combined with one another to form a вЂњhybridвЂќ section.Certain sections were done away with all together.Certain sections were cut down in length.The following modifications to Get LuckyвЂ™s structure were employed to achieve the radio edit: Get LuckyвЂ™s form was trimmed down from a chorus heavy A-B-A-B-B-B-C-B to a leaner A-B-A-B-C-B (Verse вЂ“ Chorus вЂ“ Verse вЂ“ Chorus вЂ“ Bridge вЂ“ Chorus), which is indicative of the vast majority of chart-topping Pop hits. In this article weвЂ™re going to take a look at how Get LuckyвЂ™s radio edit transformed it from a lengthy 6:06 down to a lean 4:04, priming it for success in an airplay environment. To date Get Lucky has hit #1 on 25 charts and landed in the top 10 in 34 countries. How many people would have ever thought that a retro Disco/Funk/R&B song that feels like it was plucked right out of the 1970вЂІs could top the charts in 2013 and become one of the feel good hits of the summer?Д«ut when you take into account various factors including the retro vibe that has permeated the current mainstream, the return of Daft Punk in reinvented form, the collaboration with veteran hitmaker Nile RodgersвЂ™, the vocal talent of Pharrell Williams, exceptional craft and a vibe that connects on a вЂњhumanвЂќ level, all things are possible.

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